Divinity school

School Notes: Yale Divinity School
November/December 2006

Gregory E. Sterling | http://divinity.yale.edu

Ministry in a changing world: Christianity, politics, and social justice.

The complex relationships at the intersection of Christianity, politics, and social justice are the focal point of a Divinity School project supported by the Jessie Ball duPont Fund. Under a 2006-07 planning grant from the fund, YDS will explore ways to prepare students for ministry in a dramatically changing world -- a world described in the grant application as one in which graduates "will be called to serve struggling parishes in struggling communities, where resources are few and questions of economic and social justice loom large." At the conclusion of the year-long planning period, an assessment will be made about the feasibility of creating a full-fledged Center for Christianity and Politics at Yale. Heading the initiative is Harlon L. Dalton ’73JD, professor of law at Yale Law School and professor (adjunct) of law and religion at YDS.

YDS mother/daughter tandem ordained together

Last year, Jinny Smanik ’05MDiv and her daughter Kate ’05MDiv made YDS history when they graduated together. This year, they capped that with a rare double ordination at Westminster Presbyterian Church in West Hartford, Connecticut. "For me, it is neat evidence of how God's grace works in the world," said Kate Smanik Moyes, describing the series of seeming coincidences that led to mother and daughter entering YDS in different years, graduating at the same time, and, finally, taking part in each other's August 20 ordination. "My mom is an incredible sounding board," said Moyes. "It turned out that I was a good sounding board for her, as well." Moyes is chaplain at Wilson College in Chambersburg, Pennsylvania, and her mother is associate pastor at Union Presbyterian Church in Schenectady, New York. Added Moyes, "We still call each other two or three times a week to talk about worship services, sermons, and lectionaries."

Scaffolding? Again?

Just three years after completion of a major overhaul of YDS facilities, construction crews descended once again in 2006 for a summer of revamping, fine-tuning, and modernizing. The new $4 million project is dwarfed by the 1998-2003 renovations, which cost $49 million. But the latest restorations are especially significant since they included work on Marquand Chapel, the school's spiritual center of gravity. The chapel balcony was expanded, and the distinctive winding marble stairs at the entrance -- the location of choice for many a wedding photo -- were repaired. Some of the most important aspects of the renovation will be heard but not seen. To improve sound quality, an inch of plaster was applied to the balcony and the ceiling, and holes were drilled in the walls and filled with foam. Shutters will be fitted to all windows to contain sound. Work crews installed almost a mile of electrical conduit beneath the floor and inside the walls to power the chapel's updated audio system.

Prominent scholars appointed to joint professorships at YDS, Institute of Sacred Music

Sally M. Promey ’78MDiv, an art historian at the University of Maryland, and Teresa Berger, a liturgical scholar at Duke Divinity School, have accepted joint professorships at YDS and the Institute of Sacred Music, effective January 2007. Promey will join the YDS and ISM faculties as professor of religion and visual culture and the Faculty of Arts and Sciences as professor of American studies. Her scholarship explores relations between visual culture and religion in the United States from the colonial period onward. She is a recipient of the American Academy of Religion award for excellence in the historical study of religion. Berger will serve as professor of liturgical studies at ISM and YDS. Her scholarly interests lie at the intersection of liturgical studies, gender theory, theology, and cultural studies. In 2006 she received two Catholic Press awards for her writing.

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School of Drama
James Bundy, Dean
www.yale.edu/drama

Seeing (and hearing) is believing

With audio-described and open-captioned performances of every production, the Yale Repertory Theatre offers the most comprehensive accessibility services program of any theater in the state of Connecticut. Audio description, an initiative begun in 2002, is a live narration of the play's action, sets, and costumes for patrons who are blind and low-vision. Yale Rep is the only Connecticut theater offering this service on a regular basis, and trains its own staff of describers. Open captioning offers a digital display of the play's dialogue as it is spoken, for patrons who are deaf and hearing-impaired. C2 (Caption Coalition) Inc., the leading provider of professional live performance captioning for theatrical and cultural presentations, is Yale Rep's official open captioning provider.

Theater for theater people

Mikhail Bulgakov's comic novel Black Snow, the story of a young writer in post-revolutionary Russia whose work is transformed beyond recognition by the most illustrious theater company in Moscow, is considered required reading for anyone who works in or loves the theater. Playwright and actor Keith Reddin ’81MFA brings his adaptation of the novel to the Yale Rep this season for a collaboration with resident director Evan Yionoulis ’82, ’85MFA. Mr. Reddin's adaptation debuted at Chicago's Goodman Theatre and won the coveted Joseph Jefferson Award for Best Production in 1993. It plays at the Yale Rep December 1-23.

Yale Rep playwright receives MacArthur "genius" grant

Sarah Ruhl, whose adaptation of Eurydice played at the Yale Rep in September and October of this year, has been named a 2006 MacArthur Foundation Fellow for her "vivid and adventurous theatrical works that poignantly juxtapose the mundane aspects of daily life with mythic themes of love and war." Ruhl's play The Clean House, which had its world premiere at the Yale Rep in 2004, was a finalist for the Pulitzer Prize in Drama. The New York Times called the Rep's Eurydice "devastatingly lovely."

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